Fat women in renaissance paintings

Lead, ammonia, mercury, and nightshades were common ingredients. It's easy to see the stretching of truth in a Picasso Cubist painting and much harder in, say, the gritty portraits by photographer Walker Evans of realistically stark Depression-era faces. Because it has no rules of aesthetics? If your body isn't considered "perfect" today? Keep in mind that the life expectancy was short maybe 25 yrs. Their appreciation of more Northern features was mor or less reduced to the hair colour, and blue eyes or a fair complexion were not considered beautiful.
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The Paleolithic era

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How women's 'perfect' body types changed throughout history

A new concepts of feminine beauty would transform visual tastes almost every single decade. She has high standing in the history of portraiture, a fairly codified form of painting that is a contract between artist and subject: I will pose for you; you will make me look good. We're doing all right, and we always will do all right. Michelangelo was a homosexual and presumably using male figure models to draw female nudes. Whoever she was, "La Bella" has aged well.
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Titian's Renaissance masterpiece 'La Bella' on display at Portland Art Museum - mumbaiproperties.info

I found this thread very interesting and I must admit that I had missed something like this here before apparently I hadn't simply found it. Instead, there is the sense that the two figures were painted separately, that their proximity is a matter of compositional convenience rather than an indication of intimacy. Cosmetics in the Renaissance Era included powders made from white lead, mercury, and vermilion derived from cinnabar. Where the clothing of those from poorer ranks was functional, the clothing of the wealthy was anything but. This footless figure is, frankly, much fatter than her Grecian descendants: her pear-shaped body boasts enormous breasts and an unrealistically swollen belly, with a pronounced pubic cleft. A Renaissance master who moved easily among subject matters, he was celebrated for his portraits and his mastery of color and motion. Her lush fashionista look denotes a woman of culture, leisure, privilege.
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The women painted by Michelangelo di Lodovico Buonarroti Simoni are very muscular, and their breasts look like bad breast implants. In the 20th century, the ideals of beauty begun to change with increasing speed. Power was shifting and broadening, although from a contemporary perspective it still existed in the hands of a select few -- the 1 percent of its time. Women were influenced more by models than actors for fashion and body trends, while models continued to be wildly thinner than the average person. Yet Jill Cook of the Department of Prehistory in the British Museum is not convinced that the Willendorf statuette was necessarily a fertility goddess.
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Comments
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